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Cultural treasures are being destroyed by war, and people want justice

August was a brutal month for Ukraine. Russian aerial attacks increased significantly, launching thousands of drones. Kyiv was intensely bombarded, as were the southern cities of Mykolaiv and Odesa. โ€ฆ

Cultural treasures are being destroyed by war, and people want justice
BBC World News โ€” 19 September 2026
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August was a brutal month for Ukraine. Russian aerial attacks increased significantly, launching thousands of drones. Kyiv was intensely bombarded, as were the southern cities of Mykolaiv and Odesa. Amid the destruction and loss of life, Odesa reported damage to six Unesco-protected sites, including the salmon-pink 19th Century Alexandru Sturdza House.

It raised again the question of why it is so hard to hold actors accountable for the destruction of buildings and objects with real cultural significance.

In the last month alone, Ukraine's Ministry of Culture reported that 148 cultural heritage sites were recorded as damaged or destroyed, including in Odesa.

Several Ukrainian activist groups have tried to get accountability by lodging complaints with the International Criminal Court (ICC) against Russia over cultural destruction and looting, but no indictments have been issued.

Bijan Rouhani, a senior researcher at the Endangered Archaeology in the Middle East and North Africa project, says that the legal framework may be strong on paper but in practice it almost inevitably falls short. "No state actor has ever been tried for this offence. The obstacle is no longer evidence. We have satellite imagery, remote sensing and monitoring teams. The obstacle is jurisdiction and political will."

Looking at the cauldron of conflicts convulsing the world, the question is ever more pressing as to whether effective action is possible to stop the damage being done or ensure accountability when it does.

The conflict in Ukraine is just one of the panoply of wars in recent years that have revealed once again the disastrous impact of conflict on cultural heritage.

Tareq Abu Dayyeh sells craftwork, souvenirs and antiquities in Gaza. The Great Omari Mosque features on many of the items he sells. It represents the very identity of Gaza - charting its history through the building's many manifestations from ancient pagan temple to Byzantine church to Seventh Century mosque to Crusader Cathedral and then back to being a mosque.

Read Full Story at BBC World News โ†’
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